Welcome to Connectbrazil.com - Let The Music Take You There!

Click on the links below
for site information:

Home
Member Login
How to Join
FAQ
Policies
Site Map

Search By:

Music & More
Art & Culture
Sports
Travel & Tourism

The Broward Center for the Performing Arts! Jazziz magazine- Click here for a free trial subscription! Jazziz magazine- Click here for a free trial subscription!

Bossa Nova
Brazilian Jazz
MPB
Northeast
Pop/Pagode
Samba

For information or assistance with ordering any of our selections, or for questions or requests please call us toll free (US) 1 888 497-4545.

International orders may be placed by fax or by email here.

 

 

May is 'Brazilian Guitar Month'! - Click here to learn more about Torcuato Mariano.
Paulo Bellinati
New Release: 'New Choros of Brazil' with Harvey Winapel

"...Without any doubt, the high point of the series [International Panorama of Contemporary Instrumental Music, Rio de Janeiro]...Bellinati finds an admirable balance between classical technique and Brazilian swing, producing unique jewels...Wainapel displays incredible intimacy with the language of Brazilian music and great stage presence, creating a musical dialog with great self-assurance. Now we cheer for their return."
- O GLOBO, Rio de Janeiro, August 2003

 

"Last summer, while teaching at the California Brazil Summer Camp in Cazadero, CA, guitarist Paulo Bellinati and clarinetist Harvey Wainapel decided to record a Choro CD. They asked musician friends to compose new tunes for them, added a couple of their own creations and a few choros they admired, and recorded the lot last month in Brazil.

"The duo previewed some of the tunes last night at the Jazz School in Berkeley. An invigorating mix of the modern and the lyrical, the lineup included two lovely pieces by Bay Area musicians Ricardo Peixoto and Carlos Oliveira (the latter a maracatu). Sérgio Santos (who wrote “Choro para Thalia e Steve” while he was in the Bay Area in 1999) is represented with two choros, as is the modernist Laércio de Freitas (who also received an inspired tribute penned by Wainapel).

Although Guinga offered Bellinati and Wainapel several new compositions, they opted for an instrumental version of the haunting “Pra Quem Quiser Me Visitar,” previously recorded by Leila Pinheiro in Catavento e Girassol. Dori Caymmi contributed a reverie well in his style. The musicians clearly relished playing this repertoire, injecting into it the occasional humorous dialog between clarinet and guitar. The audience, mostly unfamiliar with choro (Wainapel felt compelled to give an introduction), was riveted from beginning to end."

So begins the story of one of the most beautiful Choro albums to come along in many years. Considering the the caliber of these two musicians and their respective and complimentary talents, this should come as no surprise for music lovers seeking a perfect musical backdrop for these warmer days, and the relaxing spirit which accompanies them.

The Portuguese word choro or chorinho is increasingly being recognized internationally as one of the most distinctive styles of instrumental music to come out of the rich palette of Brazilian music. In the world of chamber music, the duo combination of clarinet and guitar is fairly new but is becoming as popular as the pairing of flute and guitar, which has a vast repertoire. Modern composers are writing more for the clarinet-guitar combination, and the present project, "New Choros of Brazil," adds an excellent contribution to this repertoire.

Paulo Bellinati and Harvey Wainapel offer a rare opportunity to hear the latest additions to Brazil's century-old musical genre, 'Choro' (pronounced "SHO-rue"). This uniquely Brazilian sound derives from a combination of European classical and dance forms, Brazilian rhythms and melodies, and jazz improvisations, making it irresistible to listeners of all types of music.

Exuberant joy, wistful nostalgia and tasteful virtuosity are all equal parts of the musical total presented by the international duo of guitarist Paulo Bellinati and clarinetist Harvey Wainapel.

The music on this disc, much of it composed expressly for the duo, consists of new works by many of Brazil's premiere composers, including Dori Caymmi, Sérgio Assad, Guinga, and Sérgio Santos, as well as pieces by Belinatti and Wainapel themselves.

advertisement
advertisement
Gallery:

 

May is 'Brazilian Guitar Month'! - Click here to learn more about Torcuato Mariano.May is 'Brazilian Guitar Month'! - Click here to learn more about Oscar Castro-NevesMay is 'Brazilian Guitar Month'! - Click here to learn more about Lee Ritenour.

May is 'Brazilian Guitar Month'! - Click here to learn more about Luiz Bonfa.May is 'Brazilian Guitar Month'! - Click here to learn more about Sandro Albert.May is 'Brazilian Guitar Month'! - Click here to learn more about Ricardo Silveira.

May is 'Brazilian Guitar Month'! - Click here to learn more about  Charlie Byrd.May is 'Brazilian Guitar Month'! - Click here to learn more about Toninho Horta.May is 'Brazilian Guitar Month'! - Click here to learn more about Paulo Bellinati.

May is 'Brazilian Guitar Month'! - Click here to learn more about Victor Biglione.May is 'Brazilian Guitar Month'! - Click here to learn more about Romero Lubambo.May is 'Brazilian Guitar Month'! - Click here to learn more about Baden Powell.

 

advertisement
advertisement

CDs

'New Choros of Brazil' by Paulo Bellinati & Harvey Winapel'Afro-Sambas' by Paulo Bellinati'Lira Brasileria' by Paulo Bellenati

Biographies

PAULO BELLINATI

Born in São Paulo in 1950, Paulo Bellinati is one of Brazil's most accomplished contemporary guitarists. He studied classical guitar with Isaias Sávio and graduated from the Conservatory Dramático e Musical of São Paulo. From 1975 to 1980, Bellinati lived in Switzerland, continuing his musical studies at the Conservatory of Geneva and teaching at the Conservatory of Lausanne. He also performed with his own group in many European jazz festivals including the Montreux Jazz Festival.

Bellinati's active international career has taken him to Europe, Asia, and the Americas. Besides performing solo concerts and giving master classes in many international guitar festivals, he also tours with the American bassist Steve Swallow, the Brazilian singer Mônica Salmaso, the Brazilian flutist Antonio Carrasqueira, and some top European musicians including Renaud Garcia-Fons, Jean-Louis Matinier, Lucilla Galeazzi, and Antonio Placer. He has both recorded and performed with these and other important artists including Carla Bley, Gal Costa, Leila Pinheiro, João Bosco, Cesar Camargo Mariano, Edu Lobo, Chico Buarque, and Pau Brasil group. In 1994, he won the prestigious Prêmio Sharp, Brazil's equivalent of a Grammy, for arranging the selections on Gal Costa's CD "O Sorriso do Gato de Alice".

Aside from being a performer and arranger, Bellinati is also a respected musical scholar. He rediscovered, transcribed and recorded the music of the great Brazilian guitarist-composer Annibal Augusto Sardinha (Garoto).

His landmark recording "The Guitar Works of Garoto" and two-volume edition of Garoto's works have received international critical acclaim and recognition for their historical significance. The CD also received a 5-star rating from CD Review.

"The music of Paulo Bellinati is absolutely stimulating. I find myself listening to his records many times in a row. They are inspiring and moving in clear directions. Above all, they are Brazilian."
- Egberto Gismonti

"Paulo is a master of the guitar."
- Antonio Carlos Jobim

HARVEY WAINAPEL

Saxophonist/clarinetist Harvey Wainapel (pronounced "wine-apple") has performed with the likes of McCoy Tyner, Joe Lovano, Joe Henderson, Ray Charles and Johnny Coles. Besides working with these and numerous other leaders, Wainapel has toured extensively under his own name. He has performed in 20 countries, appearing in clubs, jazz festivals, radio/television broadcasts, and music workshops.

Wainapel's heavy involvement with the music of Brazil has led to performances with masters of the genre such as Guinga, Dori Caymmi, Hermeto Pascoal, Airto Moreira & Flora Purim, Filó Machado, Jovino Santos Neto, Itiberê Zwarg (Orquestra Familia), Sérgio Santos, Nelson Ayres, Laércio de Freitas and Manfredo Fest.

Wainapel's latest CD, The Hang, received a glowing 4-star review from Down Beat magazine, and features pianist Kenny Barron, bassist Larry Grenadier, trumpeter Phil Grenadier, and drummer Kenny Wollesen. His previous release, Ambrosia: The Music of Kenny Barron, was recorded with Holland's 60-piece Metropole Orchestra. A Jazziz Magazine review of Ambrosia says the CD "offers a better case for concert-hall jazz than many a 'Jazz at Lincoln Center' affair." Wainapel's first release, At Home/On the Road, recorded live on tour in Europe, was described by Cadence as "music that can be played again and again; a clear winner."

A favorite of critics, musicians and fans, Wainapel was nominated for two BAMMY (Bay Area Music) Awards: Outstanding Reed Player and Outstanding Jazz Musician. (The short list of fellow nominees included Joe Henderson, Peter Apfelbaum and Charlie Hunter.)

"Wainapel plays with the performance attitude which for me is what jazz and improvisation is all about. It's a pleasure to listen to Harvey's soulful interpretations."
- Joe Lovano

(Wainapel is) "a musician with his own unique and deep sound."
- Jazz Life (Japan)

"Wainapel is one of the most promising and versatile players of his generation."
- All Music Guide To Jazz" (1998)

 

A world service of The Montage Communications Group, Inc.
© Copyright 1997-2006. All rights reserved.
US Trademarks and content internationally copyrighted by Connectbrazil.com,
Please view our copyright and fair use policies here.

Hosted & Developed by Guidance Development.