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March 22, 2008
Your Guide to The Sounds of Brazil radio program.
Vol. 8, No. 10
Click on the banner for more on this month's theme:
'Get To Know':
Ed Johnson & Novo Tempo
 
by Scott Adams
 
Elis Regina
Elis Regina
  

With spring's arrival, many of us here in America's Midwest are asking that most important of all questions: "When will it stop snowing?"

This morning, my corner office windows offer nothing more than a white response: six to ten inches were expected last night with the prospect of warmer temps next week to melt it all away. Again.

This winter of 2007-2008 has been one for the record books in many parts of the lower 48, with near-record snowfalls across the country. And when we here in Chicago recall that our snow season began with the first week of November - well, spring's rejuvenating spell can't come soon enough.

So, to help things along this week, The Sounds of Brazil offers up its annual 'Spring Into Brazil' special. Maybe it's that wonderful notion of rebirth which spring provides - or maybe there's really no reason for it at all - but I've always associated certain Brazilian songs with it: João Gilberto's 'Wave' for instance. Or just about anything by Djavan.

Then, there's Elis Regina - the Brazilian singer whose music inspired me to dedicate the month of March to the musical women of Brazil each year.

Elis was generally considered to be Brazil's greatest singer, and although she died tragically in 1982, and many dozens of talented vocalists have captured the spotlight of MPB since then, none have been able to fill the void created by her passing.

 

If you're not familiar with her msuic and her life's story, considet his an invitation: Check out our web-based, English language translation of author Regina Echeverria's 'Furacão Elis' at your leisure, with free 24/7 access to the full length book.

As a singer, Elis Regina was uniquely Brazilian and her life story - set against the turbulence of dictatorship and the surge of Brazilian pop culture is revealing and intimate. All the more so when you consider the book's title; 'Furacão', which means 'little hurricane' - a reference to both her nickname and her temperament.

First published in Brazil in 1985, the book was an immediate sensation and remained a best seller for quite some time. In 1991, Robert St. Louis, a dedicated fan, began a four-year project to translate the book to English. Although not a professional translator, St. Louis has nevertheless provided the world with a wonderful gift- he credits nearly a dozen and a half people who supplied guidance for the accuracy of his work. Brazilian fans around the world owe a great debt of gratitude to both Regina Echeverria and Robert St. Louis who has given us permission to present this book, in its entirety for you to enjoy and share with your friends. Fittingly, that's how an original copy of this book came to me. I was a houseguest with producer David Hadges' family while visiting Rio in 1989, and after we had finished a long lunch, the conversation turned to Elis. "Come with me," he said, and we went to his study, where he handed me the book you're about to read.

To this day, I carry two special memories of that Spring afternoon; One of looking out the study's 3rd story window from his Lagoa condo to view Corocvado, and the Christ statue playing with the clouds. The other memory was of a new friendship that came so easily half a world away. Back then, it took two books for me to read just one, but happily, today, no dictionary is needed to enjoy one of Brazil's most enthralling musical stories: The life of Elis Regina.

You'll find a link to the book 'Furacão Elis' in the Arts & Culture section at Connectbrazil.com. Click on 'Culture > Arts & Culture' from the menu at the top of any page. And there's more to come: We're already gathering permissions for audio and video content to make the book fully multi-media, bringing it to the cutting edge of on-line publishing!

Listen to this show now!
24/7 Webcast:

This Week:

'Spring Into Brazil'
Program 825Syndicated radio and webcast
.Program host Scott Adams' notes:
Celebrating our 16th year: 1992 - 2008
 
Live365.com is the 'Official Internet Radio Partner' of The Sounds of Brazil!

I've had a lot of fun putting this show together: New tunes from Vanessa da Mata (left) with Ben Harper and Ed Johnson & Novo Tempo, the latest from Torcuato Mariano's guitar, plus spring-fling Bossas from Marcos Valle, João Gilberto, Kevyn Lettau and the Beastie Boys' Money Mark. Gilberto Gil and Nana Caymmi team up for a Trop-pop/reggae romp, while the softer side of the season come to us from a pair of pianists: Steve Barta with Herbie Mann's flute, and Marcos Ariel's 'Calm'.

There's the 'Waters of March' with Al Jarreau and Oleta Adams and a preview of next week's show with a song from Astrud Gilberto's 'Plus' CD to get us started. Dori Caymmi's 'Spring' provides a closing bookend to our season-changing show this week, plus a first look at our new 'Editor's Choice' selection, exclusively for Connectbrazil.com Buyers Club members!

A cool breeze in Summer, and a warm wind when the weather turns cold - that's The Sounds of Brazil! On the radio and our 24/7 webcast channel (Just click on the 'Play' arrow button to the upper right)! | Interactive Playlist |

Vanessa da Mata
Great songs, superb production and an outstanding voice combine for what could be a ‘Perfect Storm’ collection for de Mata and this EP from her 2007 album ‘Sim’ is the perfect introduction. Five songs including the top radio hit ‘Boa Sorte/Good Luck’ with Ben Harper!

Our Connectbrazil.com Weekender Guide features two specially priced CDs (this week only!) - One from our blue-paged Passport category and another from our green-themed Brazilian section. It's a great way to listen and learn! Click on the CD cover for the complete review and audio clips, too.

 

A Connectbrazil.com  'Passport' item.
'Passport' explained
Click here to explore this CD with bio, review, audio and more at Connectbrazil.com! 

Aquarela do Brasil
Elis Regina

CD  
Listen to a Connectbrazil Brazilian Music audio clip from this CD
A casual invitation by harmonicist Toots Thielemans led to a Scandinavian vacation for Elis Regina during one for the happiest periods of her life - and it shows on this excellent recording, a Bossa classic and one of her most memorable!... [Brazilian Jazz/MPB]  
A Connectbrazil.com  'Brazilian' item.
'Brazilian' explained
Click here to explore this week's featured Passport CD with bio, review and more at Connectbrazil.com! 

Kicking Cans
Dori Caymmi

CD  
Listen to a Connectbrazil Brazilian Music audio clip from this CD
‘Kicking Cans’ is a momentous album, capturing the warmth and intimacy of Dori Caymmi’s music at the height of his career. This 1993 release is the second of three such recordings from this fertile period and in some ways, also the best! !... [MPB/Jazz]  

This month's theme is 'Songs in the Feminine Key', so it seems only appropriate to report on an upcoming release by one of the "first ladies" of Brazilian music here in the US.

Kenia pioneered a different kind of Brazilian pop with her late-80s releases Initial Thrill and Distant Horizon - her jazzy style in Portuguese and English - often with guitarist Chuck Loeb at her side - provided a authentic alternative to Basia's 'Time & Tide' debut in 1987. A series of jazz based CDs followed, culminating with her critically acclaimed Project Ivan Lins CD in 1997.

Now comes 'Simply Kenia', her first album in more than a decade with an April 1st launch. Described by her label as the most well-rounded and stylistically authentic album of her career, 'Simply Kenia' features the Brazilian expatriate's take on compositions by Pixinguinha, João Bosco, Gonzaguinha and Jair De Oliveira. She also croons Djavan's classic 'Avião,' with lyrics from American vocalist Lorraine Feather, using the English title 'Being Cool'.

Besides Kenia's usual forays into Bossa Nova and MPB on the album's 15 tracks, the album also sees the vocalist venturing into Choro with 'Lamentos', written by Choro pioneer Pixaguinha and with lyrics by Vinicius de Moraes. Choro is a jazzy, pre-Samba style that has recently seen a rise in popularity here and in Brazil. Kenia said she was excited about the opportunity to enter new musical territory: "I love what is happening with the Choro revival," she said while announcing the new album. "For the past couple of years, I've become very interested in learning more about this great music and performing it."

Several special guests appear on the record, which was partially recorded in Brazil and in the United States, where Kenia has lived since 1990. Romero Lubambo provides guitar and other stringed instruments, Grammy winner Cesar Camargo Mariano serves as orchestrator and "keyboard stylist" and Kenia's son Lucas Ashby plays pandeiro on one track. Listen for more of Kenia's newest music in the coming weeks. As journalist Mark Holston proclaims: "'The voice' is back!"

April will also herald the release of a long-awaited album from another well-known female singer. But this one didn't exactly cut her teeth singing sweet sambas. Nevertheless, Carly Simon says her April 29 release, 'This Kind of Love' will have a distinct Brazilian feel. "You don't have to be singing Bossa Nova or Samba to get the essence (of Brazilian music)," she states in a press release announcing the CD, which will be available worldwide next month "There are songs that fit no one rhythm or generic type or song progression." The album is her first of original material since 2000's 'Bedroom Tapes'. (Fans might recall that Simon covered "Manha de Carnaval" on her 2007 covers album, 'Into White').

From one Simon to another: Paul Simon is about to begin a month-long residency at the Brooklyn Academy of Music, Billed "Love in Hard Times," the program will find Simon performing and talking about the most important phases in his career. The second set of the series, "Under African Skies" (April 9-13), will spotlight the African, Brazilian-and Afro-Brazilian-styles Simon focused on for 1986's Graceland and 1990's The Rhythm of the Saints. Milton Nascimento, who partnered with Simon on the song "Spirit Voices" is scheduled to appear.

Sound Checks: After wrapping up a three-week performing stint in São Paulo this week, singer Rosa Passos is back in the studio to wrap up another new album set for US release in May. Look for her to debut these songs during her shows at New York's Lincoln Center (May 23) and the San Francisco Jazz Festival on May 25th. You can get the details at www.rosapassos.net. As our reader know, Rosa Passos is near the top of a long list of our favorite Brazilian singers. I once wrote that "Somehow this young singer has made a pact with the devil for João Gilberto's musical soul and got the better part of the deal." Don't miss her if you have the chance to catch her on stage.

Meanwhile, the 'real McCoy' is set to inaugurate Bossa Nova's 50th anniversary this summer with a rare concert appearance at Carnegie Hall on June 22nd. You won't find it on their website yet, but "signed, sealed and delivered" is how the booking agency put it when we placed a follow-up call earlier this week. I'm referring to João Gilberto, the Father of Bossa Nova, who will likely do a solo set - as has been his practice. Carnegie Hall with its near-perfect acoustics has always been a venue well suited to Gilberto's whispery vocals and his subtly syncopated guitar accompaniment, so we'll let you know when tickets officially go on sale for what promises to be an historic event.

Like millions of Brazilians worldwide, one of my favorite end-of-year traditions is to tune into the annual Roberto Carlos special on TV Global. Now, his US fans can plan to see him perform later this spring: May 23rd at Madison Square Garden in NYC, May 24th at Boston's Agganis Arena, Jersey City on May 25th (venue tba), May 31st in Miami at the American Airlines Arena, and June 7th in Los Angeles at the Universal Amphitheater. That's great news.

Pianist Marcos Ariel swings into L.A.'s Jazz Bakery on April 8th to support his '4 Friends' CD, and Djavan returns to the US this year. Tickets go on sale April 2nd for his date at the Ford Amphitheatre in Los Angeles on Friday, June 13th, although rumors abound with reasons for the abrupt cancellation of his last US tour seven years ago: One story goes that his shaman advised the Brazilian star not to make the post-911 flight from Rio, so he didn't. That 'Friday the 13th' date has already got people wondering. Let's hope superstition doesn't get in the way of what promises to be a great show.

Catch singer Mônica Salmaso with guitarist Paulo Bellinati on April 7th and Yoshi's in San Francisco, and Brazil nuts in Chicago can rejoice at the rebirth of the legendary Hot House with a new location at the Viaduct Theater. They'll present Chicago Samba on April 26th.

Tickets, Please: I promised to keep you posted on the ups and downs of my recent travels in Brazil, with the hope of saving you from some of the problems that can crop up when traveling on your own. As you may have recall from my earlier reports, getting to Brazil is only half the story: getting around the country these days can be a real challenge.

When it comes to airline ticketing, the digital age has come to Brazil, but some of the procedures still require a little 'jeitinho' - that's Portuguese for a quick fix to a stubborn problem, and its a way of life in Brazil. But even a crafty jeitinho won't cure Gol airline's website woes when it comes to buying tickets for travel from São Paulo to Rio.

Gol is Brazil's second largest airline, but you wouldn't know it from a name search on Google: it took a link from Wikipedia's entry on the airline to reach their web site. Then after 'flying blind' through their international sections, I arrived at a page in English which invited me to make my reservation and pay with my MasterCard.

"Great," I thought as I quickly entered my flight and payment information and clicked on the 'processing' button. But wait - no confirmation. Calling their customer service line gave me the option of speaking to someone in English so I pressed '2' on the phone pad and got a voice message - in Portuguese - telling me to check the website for more information. And then a dial tone.

A second call got me to a representative in Portuguese, who magically switched me over to an English-speaking agent who advised me that only American Express cards are a sure way to make it through the transaction process if you are using a credit card from a country other than Brazil. Only Visa and MasterCards registered with a special 'security code' program are accepted by Gol. I was told that very few US banks issue these cards, and no, it has nothing to do with that three-digit number on the back.

For $50 Brazilian dollars more, the agent said that he could hold a reservation for three days, giving me enough time to a) find someone with a Brazilian credit card to purchase the ticket for me, b) drive a few hours to pay for the ticket in cash, or c) locate a licensed travel agency nearby which may or may not charge me another additional fee for the service of doing nothing more than accepting my credit card.

Whatever you do, don't wait until the day of departure to purchase your ticket at the airport. This used to be common practice in Brazil, but now prices are based on need and availability - just as they are in the US - and using a foreign card for payment will cost you even more.

On the plus side, Gol has done a good job at driving air fare costs down, and the prices are still a bargain with today's exchange rate. But Brazil's airlines are not very tourist friendly these days, and Gol's web site should do a better job at clearly stating their credit card policies. And be prepared to pay extra for your luggage, as Gol allows only 50 pounds of baggage per person, charging tourists a hefty .5% of the ticket price per kilo over that limit.

Problems like these discourage travel to Brazil, especially when all US citizen's are now required to carry valid Passports and Mexico's beaches are nearby. I'm sad to say that I had this conversation with a high-ranking official inside of the tourism industry 12 months ago and nothing has changed, although there now appears to be a plan in place to smooth out the rough edges for those of us who travel without the aid of a tour guide.

Antonio Carlos Jobim once famously said that "Brazil is not for beginners" and he was right. But that's no reason to stay home and hopefully these tips will help you with your next - or first - trip to Brazil.

U.S. Secretary of State Condoleezza Rice is in the news today, but during her visit last week to Brazil to discuss politics and trade she was given a healthy dose of the country's music and culture. Rice requested a side trip to Salvador, which is Brazil's most authentically African city and was once a major slave port. Visiting the city's historic 'Our Lady of the Rosary of Black People' church, Rice listened to parishioners sing traditional songs from the slave trade era. Later, at dinner Rice is said to have danced and played the tambourine with Gilberto Gil, Brazil's minister of culture. Addressing Gill afterwards, she is said to have committed to hearing him again when the singer performs in Washington D.C. this summer. Rice also heard performances from Carlinhos Brown and Olodum during her trip.

Acclaimed Italian pianist Stefano Bollani has eccentric tastes, playing everything from classical music to Beach Boys covers during some of his sets. But one of Brazil's biggest music legends is on the top of his mind these days. Recently interviewed by The Gothamist, the 35-year-old Bollani said his biggest dream is to record an album with Caetano Veloso - and it may very well happen, since Veloso returns his admiration. Asked in the Italian newspaper La Nazione if he ever considered recording an album of Italian songs, Veloso replied: he would do one with Bollani. "So now I'm chasing (him) down, " Bollani told Gothamist. "That's my main goal of the year, to go into the studio with Caetano Veloso, that would be a dream come true."

Could some of Brazilian music's biggest names be part of the biggest musical event of the year? Maybe, if the people behind World Peace One have their way. The group - which includes organizers of Woodstock and last year's Live Earth event - want to stage another multi-continental concert starting May 17 of this year to promote worldwide peace. Among the names being bandied about by the group's founder, Doug Ivanovich: Gilberto Gil, Caetano Veloso, Ivan Lins, Sergio Mendes and Linox. Discussions are also being held with U2, Madonna, Led Zeppelin, Aerosmith, and Lionel Richie, Ivanovich recently told Billboard. Brazil is being mentioned as a potential venue, along with Beijing; Istanbul, Turkey; London; Johannesburg; and Miami.

Among the notables who passed away last month was a non-Brazilian who had a major impact on the country's music scene. Henri Salvador was 90 and preparing to record another record when he died from an aneurysm in Paris February 13. In several interviews, Antonio Carlos Jobim had said he was inspired to slow down the samba after listening to Salvadore croon, "Dans mon nle," a song Salvador released in 1957. In 2005, Salvador was awarded the Brazilian Order of Cultural Merit by then-cultural minister Gilberto Gil. In his other role as a musician, Gil went on to perform a duet with Salvador on his final recording 'Rivirence' in 2006, which also featured Salvador and Caetano Veloso combining on a new version of "Dans mon nle."

One of the Brazilian bands fans flocked to catch at last week's massive SXSW Festival in Austin, Texas, is Bat Makumba. Named after the song 'Bat Macumba' written by Gilberto Gil and Caetano Veloso and later popularized by Os Mutantes, the "highly visual" group consists of two Brazilian natives and an American who, according to Gallo, play "tropicalia and forro filtered through ska and punk rock and clothed in a party atmosphere." That's Variety's Phil Gallo's opinion. You can learn more about them for yourself at http://www.batmakumba.com/

Cheers: Sure, you can dance to it. But how about drinking a nice refreshing "Brazilian Samba?" That's what Pepsi is envisioning through a new drink line it is about to launch, according to the New York Times. 'Tava'is the name of a line of no-calorie, carbonated beverages that will be aimed at adults 35 to 49. Reports say that Pepsi is heavily promoting the brand with its own web site (tava.com) and by giving away free samples at high-profile events such as the Sundance Film Festival. Among the drink's exotic-sounding flavors: Brazilian Samba, Mediterranean Fiesta and Tahitian Tamure. No word on whether they'll also introduce Bahia Batucada - now that's a flavor that you can't beat with a stick.

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Always a pleasure,
Scott Adams

Radio host for The Sounds of Brazil!
Publisher, Connectbrazil.com