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April 12, 2008
Your Guide to The Sounds of Brazil radio program.
Vol. 8, No. 13
Click on the banner for more on this month's theme:
'Get To Know':
Ed Johnson & Novo Tempo
 
by Scott Adams
 
Lee Ritenour
Lee Ritenour
  

Chances are pretty good that Lee Ritenour never met up with Brazilian singer Nara Leão. Chances are equally good that if they had, Nara would have approved.

Back in the late 50's, Nara, the teenage daughter of socialite parents who kept a neat Copacabana high-rise pad, would regularly throw all-night parties for the soon-to-be stars of Bossa Nova - names like Menescal, Boscoli, Mendes, Gilberto and Jobim. At the time, Nara was nothing more than a 'Super Fan' - her appointment as Brazil's musical muse would come soon enough - but that beachfront address on Rio's famous Avenida Atlântica became a second home for these visionaries, a melting pot for new ideas. New friends. That's the Brazilian way.

And it still held true many years later for Lee Ritenour, who made his first visit to Brazil in 1973. He remembers it as if it were yesterday:

"I went there on vacation when I was 21 and had the chance to meet Oscar Castro-Neves. Not long after, I was invited to a party at Sergio Mendes' house, and that was the night I met Dave Grusin. Antonio Carlos Jobim was also there, along with Oscar and lots of guys from Sergio's band, and there was a lot of jamming, so it was quite something. I guess you could say that party was the beginning of a big part of my career going forward."

This week, our 'Discovery Month' theme takes a long look at 'The Brazilian Side of Smooth Jazz' and what better place to start that with World of Brazil?

 

This collection picks up Lee's Brazilian trail in 1985 with Harlequin, his legendary collaboration with pianist Dave Grusin. The title song, "Arlequim Desconhecido," yielded our American introduction to singer Ivan Lins, and set Ritenour on a path that he would follow with several other Brazilian singer/songwriters in the coming years. In 1987, Djavan was invited into the studio for Lee's Portrait album to recreate his hit song "Asa." In May of 1988, Caetano Veloso and João Bosco flew north to New York, recording their songs "Linda'"and "Latin Lovers," respectively, for Lee's Festival album; and Lee returned the favor a year later by flying the master tapes down to São Paulo for Gonzaguinha to sing his memorable anthem, "É," for the Color Rit sessions.

The distance of years shows that each of these vocals stand as milestone recordings for all concerned: Ivan and Djavan went on establish themselves here in the US, Caetano began his inevitable march towards musical universality and João still sings 'Latin Lovers' on tour, no doubt due to the worldwide popularity and critical acclaim that grew from his collaboration with the American guitar player.

Lee's passion and foresight succeeded in raising the bar for Brazil's best, with brilliantly conceived arrangements and talented musicianship - and each Brazilian singer in turn responded to the invitation with his own definitive performance. "Caetano told me later that he was pretty nervous," Lee recalls. "That was the rhythm section with Dave Grusin, Omar Hakim and Anthony Jackson. We were rehearsing "Linda" in the studio, getting the arrangements and guitar parts just right and we were really ready for him. Caetano had barely taken off his jacket when he heard this wonderful arrangement from the control room. He was so overwhelmed that he told me later, 'How can I just step into that and start singing?'"

"In each case there was an electric energy. With João and Djavan, their rhythm guitar parts were so outstanding you could really sense that they were as thrilled to play with us as we were with them, and Ivan was completely like 'one of us' already; he understood our music, we understood his music - the way he composed, the way he liked to groove. When we did Harlequin, it was a match made in heaven." In the songs-without-words department, The World of Brazil finds Rit with several tunes that capture his role as a true advocate for the place of Brazilian music in contemporary jazz. From the samba pulse of 1985's "San Ysidro" to 1987's bossa-wrapped "Windmills" and then on to 1989's "Bahia Funk," it's apparent that Lee, unlike many who have tested the waters and moved on, had discovered that his early flirtations had grown into a lasting love affair with Brazilian music.

"I was very proud that I had a grasp of Brazilian music and wanted to be respectful of the authentic nature of these songs," says Lee. "Yet I was adding my guitar and bringing a jazzier 'Ritenour' flavor to it, so I wanted to make sure that it felt very Brazilian.

"Later, with A Twist of Jobim, I was confident enough to purposefully do a reconstruction - my way of approaching Brazilian music. But that was very different than those 80's songs, where I wanted to keep everything 'right in the pocket'." That 1996 recording reunited Lee with Dave Grusin and an equally stellar supporting cast. By this time, Lee's appreciation of Brazilian music had focused on Brazil's top composer and his sensitivity and respect for Jobim's intricate harmonies and musical nuance.

Lee's oversight of these talented ensembles speaks as strongly as any of his solo work on these songs. That's El DeBarge and Art Porter trading phrases on "Dindi," with an arrangement that carries all of the poignant grace of the composer's intent. And "Stone Flower" provides a deeply jazzy foundation for Herbie Hancock with Ritenour's rhythm guitar in close support.

But it only takes the opening strains of "Water To Drink" to remind us that music is best when shared with friends. With Rit, it seems that it just couldn't be any other way. And in case you're wondering who selected the songs for The World of Brazil - well, that was Lee's job, too.

"I really have a passion for many different kinds of music, but Brazilian music and jazz are at the top of the list for me. It still touches me today. For instance, I'll catch a Brazilian song that I've heard a million times and it still just takes me away." Those are some of Lee Ritenour's discoveries.

Perhaps you're ready for a few of your own. Try these keywords: Type EXPLORE, DISCOVER, ELIS and CLUB when you click over to our website.

 

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This Week:

'The Brazilian Side of Smooth Jazz'
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.Program host Scott Adams' notes:
Celebrating our 16th year: 1992 - 2008
 
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We have only to look back at the success of Stan Getz, Astrud Gilberto and Sergio Mendes to understand Brazilian music's role in the creation of today's Smooth Jazz style - and although its influence has seemingly waned in recent years, its only because the dots haven't been connected.

Consider that artists as diverse as Praful and Lee Ritenour have found their beginnings with Brazilian groups and you'll appreciate our program's focus! We've packed our playlist with smooth jazzers near and far, in every conceivable combination, with more than a few surprises along the way: George Benson, Marc Antoine, John Legend, Leo Gandelman, Brian McKnight, Dave Koz, Nelson Rangell, Brenda Russell, Kirk Whalum guitarist Chuck Loeb, Michael Franks and Bobby Caldwell all step into the radio spotlight this week.

A cool breeze in Summer, and a warm wind when the weather turns cold - that's The Sounds of Brazil! On the radio and our 24/7 webcast channel (Just click on the 'Play' arrow button to the upper right)! | Interactive Playlist |

George Benson

Here's this week's 'Featured CD' at Connectbrazil.com!

Our Connectbrazil.com Weekender Guide features two specially priced CDs (this week only!) - One from our blue-paged Passport category and another from our green-themed Brazilian section. It's a great way to listen and learn! Click on the CD cover for the complete review and audio clips, too.

 

A Connectbrazil.com  'Passport' item.
'Passport' explained
Click here to explore this CD with bio, review, audio and more at Connectbrazil.com! 

The Other Road
Ed Johnson & Novo Tempo

CD  
Listen to a Connectbrazil Brazilian Music audio clip from this CD
Guitarist Johnson leads a hand-picked group of talented musician to re-invent Brazilain jazz, with sweeping musical vistas created by a tight ensemble sound and an unforgettable passion for the music. Here’s a CD that will become a long-time friend in your collection... [Jazz]  
A Connectbrazil.com  'Brazilian' item.
'Brazilian' explained
Click here to explore this CD with bio, review, audio and more at Connectbrazil.com! 

Wanda Vagamente
Wanda Sa

CD  
Listen to a Connectbrazil Brazilian Music audio clip from this CD
This historic debut was recorded in April 1964 - half a world away and exactly 13 months after the legendary Getz/Gilberto sessions. Sá’s lightly romantic voice carries that same slightly out-of-tune charisma that became a calling card for Bossa Nova. An early classic and a favorite CD with our staff ... [Bossa Nova]  

Dates: We're a week late on this, but April 8,9,10 in 1965 marked the unofficial 'changing of the guard' with the beginning of MPB (Música Popular Brasileira - the song style which initially replaced Bossa Nova as Brazil's pop music) with a three-night run at São Paulo's Teatro Paramount with Elis Regina, Jair Rodrigues and Jongo Trio. Birthdays: MPB arranger Lincoln Olivetti, 04/17.

Wedding Bells & Baby Booties: For saxophonist Leo Gandelman who will wed his lovely Juliana in Rio - they are expecting a baby this August - along with a new album from Brazil's most celebrated jazz star. Leo also owns Zaga Studios in the chic section of Ipanema and he's currently at work on the final mix for trumpeter Marcio Montarroyos' last recording. Marcio, who passed away from cancer in December, had dreamed of having this CD released here and several friends are working hard to make his final wish come true.

Coming home: After several projects with other labels, it looks as if pianist Eliane Elias is returning to the Blue Note family for a happy reunion - a new CD in September, with a Bossa Nova theme. And now comes word of the rumored reissue of 'The Legendary Joao Gilberto' album, the 1990 compilation which combined the songs from Gilberto's first three albums. In my opinion there could not be a more important release for Bossa Nova's 50th anniversary year. Let's hope that our friends at Blue Note can make it happen - working through the necessary permissions can sometimes be a daunting task.

We see that the Washington DC International Film Festival includes three Brazilian films this year: 'Basic Sanitation, the Movie' by Jorge Furtado, showing Friday, April 25th, 6:30 PM and Saturday, April 26th, 7:00 PM at the Regal Cinemas Gallery Place. Director Jose Padilha's 'Elite Squad' shows Thursday, May 1st 6:30 PM and Saturday, May 3rd 9:30 PM at the Avalon Theatre. And the multi-national team of producers from Uruguay (Cesar Charlone) and Brazil (Enrique Fernandez) brings us 'The Pope's Toilet' on Saturday, April 26th 9:30 PM and Sunday, April 27th 5:30 PM at Landmark's E Street Cinema. We continue to pray for Brazilian cinema. Sigh.

Sound Checks: Marcos Ariel's gig at L.A.'s Jazz Bakery on Tuesday featured a special guest - Columbian guitarist Juan Carlos Quintero sat in for the show. As always, Ariel's piano, flute and keyboard talents wowed the crowd.

Could Milton Nascimento be touring again this year? That's the buzz in NYC this week, as the 'Summer of Bossa Nova' gets ready to spread its wings. Word is that it is a short one - just 3-4 cities. We'll keep you up to date. The number of Brazilian performers touring the US in 2008 could set a modern-day record: Roberto Carlos is now set with these dates: May 23rd at Madison Square Garden in NYC, May 24th at Boston's Agganis Arena, Jersey City on May 25th (venue tba), May 31st in Miami at the American Airlines Arena, and June 7th in Los Angeles at the Universal Amphitheater.

Singer Rosa Passos has shows at New York's Lincoln Center (May 23) and the San Francisco Jazz Festival on May 25th. You can get the details at www.rosapassos.net. Djavan also plans a return to the US this year. Tickets went on sale April 2nd for his tour wrap up at the Ford Amphitheatre in Los Angeles on Friday, June 13th. Other dates include June 6th, Knight Theatre, Miami FL; June 8th, Orpheum Theatre, Boston MA; June 10th, Nokia Theatre, New York; June 11th, Cullen Performance Hall, Houston. Watch for more Djavan coverage in the weeks to come.

Not to put too fine a point on it, but it's that time of year when each and every week seems to bring news of a summer performance by a Brazilian music great. And this week is no exception with news that one of the greatest of all time will be a part of the world's biggest jazz festival. This June, the 2008 JVC Jazz Festival in New York City will hold its own celebration of the 50th birthday of Bossa Nova with the guitarist who started it all: João Gilberto will perform June 22 at Carnegie Hall Stern Auditorium.

In 1958, Gilberto played on two versions of "Chega de Saudade" that are considered the starting point for the genre - the first as a session musician on a version of the Antonio Carlos Jobim/Vinicius de Moraes composition by Elizete Cardoso; the second on his own version of the piece, which became a huge hit and is generally considered the standard bearer for all future Bossa Nova tunes. This rare U.S. appearance by the notoriously reclusive Gilberto isn't the only Brazilian highlight of the festival that weekend. Also at Carnegie Hall on June 21, the night before, Sergio Mendes will perform with Zap Mama as part of an event billed as "Nouveau Bossa."

Over on the left coast, the World Festival at the Hollywood Bowl has received a commitment from another Brazilian performer. Seu Jorge will launch the 10th annual event on June 22 by performing with the Washington D.C.-based electronica duo Thievery Corporation - and Bebel Gilberto. This is the duo's second straight summer of collaborating with the daughter of the Father of Bossa Nova: Last year, near the band's home base of the nation's capital, seh also stepped on stage with the group.

In his dual role as a legendary musician and Brazil's culture minister, Gilberto Gil continues to make people talk. His US tour is now set: June 18th, Ann Arbor Summer Fest, The Power Center, Ann Arbor, MI; June 19th, Ravinia Festival, Highland Park, IL; June 21st, Westhampton Beach PAC, Westhampton, NY; June 22nd, Lisner Auditorium, Washington, DC; June 24th, Nokia Theater, New York, NY; June 27th, Massey Hall, Toronto, ON Canada, June 29th, Hollywood Bowl, Los Angeles, CA; June 30th, 4th and B, San Diego, CA; July 2nd, Masonic Auditorium, San Francisco, CA; July 5th, at the Jackie Gleason Theater Miami Beach, FL. Wacth for Gil to perfrom with his new "Broad Band" - featuring free Internet simulcast and audience connectivity at selected dates.

But most of Gil's coverage continues off-stage these days. According to the publication World Politics Review, Gil unleashed a frenzied response in the Brazilian blogosphere when he talked about Internet access in Brazil's favelas being vital towards reducing crime. Quoted at a debate in Rio de Janeiro, Gil said residents of Brazil's poorest slums can "leap over all the barriers in their way" with such access. Many bloggers attacked the idea, according to the magazine, because it was too idealistic. What's next? Virtual gangs?

Under President Luiz Inácio "Lula" da Silva, however, Brazil has launched several innovative social welfare programs - including one that helps the working poor purchase their first computers. The Brazilian Internet Steering Committee reports that Brazilians earning $600 to $1,000 each month owned 17 percent more computers last year. Nationwide, a research firm says Internet surfing is up more than 56.7 percent from the year before.

Gil, who plans to step down from his government post later this year, may be spending more time outside the country once he returns to music full-time. The New York Observer reports that Gil just bought a 13th Street two-bedroom condo for $1.34 million. What was that about favelas?

Dare to Explore: April 22nd is the date Brazil celebrates as 'Discovery Day' - when Pedro Álvares Cabral and his Portuguese sailors first set foot on 'Terra Brasil' - and we've dedicated four consecutive weeks to 'A Month of Discovery'. You can join in the fun: Visit our new Connectbrazil.com Buyers Club members page to catch up on the latest Brazilian buzz and explore one of Brazil's unique musical styles with us: Forro!

Surrounded in equal parts by swirling rhythms and regional mystique, the Brazilian music called Forró is actually an amalgam of a number of popular 'down home' weekend dance styles found in the Northeast. One story goes that Forró is derived from the English expression 'for all': back in the 1900s, the engineers of the Great Western Railroad would throw weekend parties that were open to the general public, or 'For All'. Another view is that the word Forró comes from 'Forrobodó' which means 'great party'.

Some Brazilian scholars (who apparently don't like to dance) state the 'Forrobodó' is itself related to the word 'forbodó' which is a bastardized form of the Imperial Portuguese word 'fauxbourdon', which literally means 'a dull party'. Whatever.

Everyone knows that Brazilians throw great parties, and if you're lucky enough to be invited to one soon, chances are pretty good that you'll be hearing (and dancing to) this CD. And doesn't it just figure that Forró In The Dark hails from New York City? This group knows Forró inside and out, and it doesn't stand on tradition, either: Like that old saying about omelets, this group isn't afraid to break a few eggs - by throwing them against the wall.

Each of these dozen songs are dance-inspired. Each is a festive romp from beginning to end and each is particularly different in its style. Some songs bristle with energy, some lope along. Some feature an earthy, buoyant flute to carry the melody while others showcase some pretty impressive vocal performances from David Byrne, Cibo Matto's Miho Hatori, and even Bebel Gilberto, who sings on 'Wandering Swallow' and decidedly non-Forró torch song originally recorded by Miss Peggy Lee.

Make no mistake - the sound here is contemporary, and whatever you think it might be - it probably isn't. And while none of use here can agree on what the locals would think of this CD back home in the Brazilian Northeast, we all pretty much agree that they'd end up dancing to it anyway. That's what Forró is all about, after all…

David Parsons, founder and artistic director of Parsons Dance, continues to criss-cross the country performing his 1990 piece "Nascimento." Commissioned by the University of Arizona, the show features elaborate interpretations of Milton Nascimento's music. In a recent interview with the Arizona Daily Star, Parsons described the circumstances that led to the piece's creation once a mini-tour of Brazil had been completed. "After it was done, I took five of my dancers into the Amazon and we took a trip on a boat down the river for seven days," he told the newspaper. "We hung out with the natives and slept in hammocks. We went wherever we wanted. It was amazing."

It's apparently a two-way street when it comes to the world and Brazilian TV. This week, the Brazilian broadcasting behemoth TV Globo announced plans to launch the La Telenovela Channel in Australia, signed a deal with a French TV channel to broadcast Portuguese programs to Brazilians living in France and sold its hit telenovela "The Clone" to Singapore. Best known for its telenovelas or soap operas, Globo is the fourth largest network in the world - and about 90 percent of its programs are said to be Brazilian in origin. By the way - what do you thik of the new daily broadcast schedule Globo International released last week? News and current events shows are now buried, midday.

Meanwhile, going the other way is the Disney Channel's Playhouse Disney, which started offering its pre-school fare in Latin America this week - including a special feed broadcast in Portuguese for Brazil.

What do you get when you mix a popular soap brand, the lead singer of the Pussycat Dolls and a remake of a Duran Duran song? The answer is obvious: A marketing campaign for Caress Brazilian Exotic Oil Infusions Body Wash, a cleanser aimed at helping women "unleash their sensuous sides, vivacious charm and Brazilian spirits," according to Caress' manufacturer Unilever. Free sample if you click on the link.

In conjunction with the product's launch, Nicole Scherzinger of the Dolls is releasing her own version of the Duran Duran hit "Rio." "Brazil is all about smooth moves, vivacious sounds and beautiful skin," Scherzinger is quoted by the company as saying. "That's why I'm thrilled to be recording such a fun, Brazilian remake of my favorite Duran Duran song"

The company says it picked Scherzinger because she is "an exotic beauty who embodies the same enchantment and vivaciousness of Brazil." That said, the singer apparently doesn't have a spec of Brazilian blood in her. She was born 30 years ago to a Filipino father and a Hawaiian/Russian mother.


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Always a pleasure,
Scott Adams

Radio host for The Sounds of Brazil!
Publisher, Connectbrazil.com