Connectbazil.com - - As Canções de Milton Nascimento (The Songs of ...) - Nivaldo Ornelas & Ricardo Leão, with Torcuato Mariano

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1994 (Brazil - Import)
Visom
CD

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Nivaldo Ornelas & Ricardo Leão, with Torcuato Mariano
As Canções de Milton Nascimento (The Songs of ...)


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01. Fé Cega Faca Amolada
02. San Vincente
03. Ponta de Areia
04. Cravo e Canela
05. Morro Velho
06. Bola de Meia, Bola de Gude
07. Saudades dos Aviões da Panair
08. Um Gosto de Sol
09. Encontros e Despedidas
10. Bicho Homen
11. Clube da Esquina
12. Canções e Momentos
13. Cais
14. Vendedor de Sonhos

  San Vincente (mp3)
  Morro Velho (mp3)
  Encontros e Despedidas (mp3)
  Vendedor de Sonhos (mp3)

Personnel: Nivaldo Ornelas (keyboards, synthesizer, piano), Ricardo Leão (saxophones, flute), Tom Capone (sampler), Torcuato Marinao, Davi Moraes, Luis Chaffim (guitar), Jamil Joanes, Fernando Nunes, Ciro Cruz, Marcelo Mariano, Bororó (bass), Paulinho Brasa, Cezinha, Linhos, Marc William (drums), Mingo Araúju (percussion), Be Happy, Clarisse Grova, Márcio Lott, Chici Pupo (vocals)

Prodcued by Ricardo Leão and Nivaldo Ornelas. Recorded at Fibra Studio, Rio de Janeiro, 1994

Total time: 56:34

When Pianist Nivaldo Ornelas and reedman Teo Leão turned to veteran producer Carlos de Andrade’s Visom label for this project, the challenge was a great one: Recreating the very best songs of Milton Nascimento in an instrumental contemporary setting, without losing the essence of the original.
Turing to their mentor for the inspiration of As Canções de Milton Nascimento (The Songs of Milton Nascimento), was a natural choice for these two talented performers, and they quickly gathered the crème of Rio’s active studio scene, including guitarist Torcuato Mariano and the superb vocal group Be Happy.
This album is an exciting grouping of the songwriter's best work. Each song is beautifully arranged in a contemporary setting, allowing the emphasis on Nascimento’s melodic creativity. The production quality and musicianship are superb on ‘San Vincente’, ‘Morro Velho’, ‘Clube da Esquina’ and eight others. This album magically illustrates the lyrical nature of Milton's music, but without the words.