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May 1, 2008
Crossing Borders: Musical Misogeny
- by Scott Adams

Quick - think of three Brazilian musicians who have made an impact here in the US. Sergio Mendes? Astrud Gilberto? Torcuato Mariano? Now, name 10 more. Or 20 or 30! That's why we'll need a full month to explore many of Brazil's best performers who have changed zip codes to bring their music closer to us.

Stan Getz and Astrud Gilberto. Antonio Carlos Jobim and Creed Taylor. Sergio Mendes & Brasil 66. The US and Brazil have a long history when it comes to crossing borders, and what better way to appreciate it than with music?

Today, those legendary names have given way to closer generations of talented performers from both countries who have taken bold steps to traverse the distance between our two cultures. Sometimes the length of the journey can best be measured in terms of careers - or even in the minutes and seconds of a single song. Guitarists Lee Ritenour and Charlie Byrd come from opposite ends of the jazz spectrum, yet both have played an important role in bringing Brazil closer to us, albeit decades apart.

But it didn't start there: Laurindo Almeida brought that same instrument to Stan Kenton's band in the late 40's, only a few years after Carmen Miranda wowed America with her carioca caricature. Bananas would never be the same. And it took a mouse, a duck and Walt Disney to bring us two of Ary Barroso's most memorable songs: 'Brazil' (Aquarela do Brasil) and 'Bahia' (Na Baixa do Sapeteiro). Both were major radio hits here. And before João Gilberto ever crooned into a microphone at Radio Nacional, Nat Cole was reworking Brazilian tunes in the studio, along with more than a few others from Latin America.

Then the Bossa Boom came, and it inspired dozens of young Brazilians to make the journey north: Oscar Castro-Neves came to play in the early 60's, and stayed to become an American citizen. João Gilberto came to New York to sing in 1963, and stayed long enough to re-marry and father an American-born child, Bebel Gilberto. Claudio Slon brought his drumsticks, so did Dom Um Romão, who anchored the group Weather Report for a while. A generation later, Heitor T.P. carried his Brazilian guitar for Simply Red during their heyday, then later with K.D. Lang. Don't forget Deodato with Frank Sinatra and with Kool & The Gang.

Ricardo Silveira recorded his guitar with Vanessa Williams, but before that he was a Berklee School of Music (Boston) grad. As was saxophonist Leo Gandelman, fellow guitar-player Toninho Horta and trumpeter Marcio Montarroyos (he plays our theme song for The Sounds of Brazil). Today, its talented Marina Elali who carries the Berklee tag, singing in English and Portuguese on her top-selling debut CD back home.

Pianist Antonio Adolfo has addresses in both Rio de Janeiro and Miami as an award-winning performer and Brazilian music teacher in the US and Brazil, and Manfredo Fest (another great Brazilian pianist) spent several years living in chilly Minneapolis, Minnesota - he often played at a little jazz bar I frequented during my college years. It was called the Longhorn Grill and was my introduction to beauty of Brazilian jazz.

Brazil's musical misogyny spread to distant shores, too: Chico Buarque and Toquinho both lived in Italy. Caetano Veloso and Gilberto Gil called London home. And in the 1800's classical maestro Heitor Villa-Lobos sharpened his craft in the salons of Paris.

All of this helps us understand what we know instinctively about Brazilian music: There's that sense of implied familiarity. It falls easily on the ears.

The 'why' of it all is the reason we offer up our 'Crossing Borders' feature each year and it goes much, much further than the strum of a guitar - all the way back to 1721, when Mason Jose Joaquim da Maia met with Thomas Jefferson to discuss Brazil's emerging nationhood. Who would have thought that such an informal meeting would be looked back as a cornerstone for the convergence of our two countries?

Few non-English speaking countries have enjoyed the close cultural companionship as Brazil has over the past century, and we'll expand our view with fresh additions to both our Brazilian Blend webcast channel and the Connectbrazil.com Premium channel all month long. And don't forget each weekly radio show for The Sounds of Brazil is available via 24/7 on demand webcast, all week long.

So, enjoy the music and make a promise to cross a few musical borders of your own this month by browsing through our hundreds of pages at Connectbrazil.com. You're sure to enjoy the journey and who knows what you will find?

All the best,

Scott Adams, Publisher
Connectbrazil.com

Program Host,
The Sounds of Brazil radio show


The 'Radio & Webcasts' page holds the latest programming news for our syndicated radio show 'The Sounds of Brazil!', with its 'Interactive Playlist', articles, featured stories and CD reviews, too. Plus our free 24/7 webcast channels: 'Brazilian Blend' and the Connectbrazil.com 'Premium Channel'. Click here!
Most Read:

CD - Rosalia de Souza's new 'Brasil Precisa Balancar'
CD - Sergio Mendes new 'Timeless'
Article - The Music of Tropicalia

Most e-mailed:
CD - João Gilberto 'Desafinado'
CD - Rosalia de Souza's new 'Brasil Precisa Balancar'

CD - Milton Nasciemnto 'Pieta'
 

"Brazilian music carries a sense of implied familiarity - It falls easily on the ears."

 
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Crossing Borders at Connectbrazil.com!
 
The Best of Two Worlds featuring João Gilberto
Stan Getz
Columbia
 
 
Playful Heart
Oscar Castro-Neves
Mack Avenue
 
Clear Horizon (Best of Basia)
Basia
Sony
A Twist of Jobim
Lee Ritenour
IE
 
 
The Man From Ipanema
Antonio Carlos Jobim
Verve
 
The Best Of Rosa Passos
Rosa Passos
Velas
 
Bossa Nova (Movie Soundtrack)
Various
Verve
 
Elis Especial (DVD)
Elis Regina
Trama
 
Millennium
Elis Regina
Universal Brazil
 
Red Hot + Rio!
Variuos
Verve
 

 

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